The CBB

I just now figured out that, on this thread, SCA stands for Sound Change Applier, not for Society for Creative Anachronism. But for that, I would have no accomplishment to report! I also didn't know about "SCA" meaning "sound change applier" until I saw another conlanger use thi...

I was thinking about a 'telepathic' language recently. Science *here* has made some progress in 'mind' reading. You show someone a picture of a flower, you measure brain activity. You tell the person to think of a flower and you measure brain activity. Basically, you can tell when this person is th...

I've made a lot of progress on the above, and the replacement mechanism is already very solid. But as expected, it's rather complicated, too complicated to go into at length. Long story short, differences in lengths seem to no longer be an issue, so my sound changer can take a rule such as: a{j,d}e ...

In my language, Tobarese, the orthography that was designed by missionaries marked ejectives with a following <!>, so <p! t! k! ts! ch! tl!>. For the new orthography, I’m using <q>, which also represents a glottal stop, but it’s unambiguous because there are no clusters where they could be confused...

After a whole lot of rewriting, I've finally started on a smarter input-replacement mechanism for my sound changer. It's likely to get a bit more complicated very quick, but the basic form was at least decently easy, and I can now apply the following rule rather easily: {a,e} → {e,i} / s_ Which, whe...

I like this. Commonthroat has a similar, though not as nuanced, way of expressing failure. <B ____ smprb> literally means "I fall from ____" as in to fall from a high place. It admittedly falls into the common worldbuilding trap of environmental determinism, because of course an arboreal ...

My project isn't very developed, but one of its first “prototypical” words could count: wiski . It's pronounced [βɪs.ˈkí] on average (although [mʷɪs.ˈkí] is gaining traction, normalised from what used to be a "cuteifing" pronunciation) and at face value just means “red squirrel” (although ...

After spending all my time on pure comparison mechanisms, I've now taken the time to reintroduce actual sound changing to my sound changer. There were a few hiccups and there still is stuff to figure out, but progress has been much swifter. In its current state, it can take a word list such as: bat ...

I've still more testing to do, but I've made a lot of progress on making my sound changer capable of handling unordered searches* in all sorts of configurations. I can't go into all the details due to there being so many, but the progress is very satisfying. * unordered searches is what I call the n...

Conlangery has an event coming up that might be of interest and entertainment to many here: A conlang-heavy D&D one-shot, streamed live. Players will be: George Corley Biblaridion Agma Schwa Artifexian David J. Peterson and Joey Windsor will be the DM. George Corley made an announcement short ab...

It took more work than expected, but I programmed a mechanism for my sound changer to compare two "unnordered search blocks" (see my previous post for an explanation of what those are and how they work) to each-other. Which is to say, my app can now correctly compare a block such as: |s,v|...

After a whole lot more work and headaches, I think I've finally implemented a mechanism in my sound changer to basically ask it "are these segments or segment patterns found in this part of the word, regardless of order or if anything else is in between". It's best understood by illustrati...

/ɛ ɔ/ are lax mid vowels and /e o/ are tense mid vowels. Thank you. Sorry, I hadn't noticed yet that this is based on PHOIBLE's own system of features. Their whole approach as a whole is not quite what I'm used to. About your last point, when you said "/ɲ/ and /h/ also frequently cooccur with ...

[...] [*]Lax mid vowels frequently cooccur with voiced fricatives. Maybe an effect of Bantu? [*]Voiced stops frequently cooccur with tense mid vowels. No real idea for an explanation here. [...] Could you clarify which mid vowels you mean, exactly? I'm afraid I'm not familiar with the lax-tense cla...

It took a whole lot longer than intended, but I think I finally assembled a particular function for my sound changer / conlanging app, although further debugging and testing will be required, as well as perhaps implementing some additional mechanisms. It's a tool that collects all segments that conf...

Here's some more info about the first two you noticed. The coocurence of /ɮ/ and /ŋɡʷ/ is all down to 16 Afro-Asiatic languages in PHOIBLE's data. The exact languages are Bana, Besleri, Buwal, Dghwede, Gavar, Hdi, Mbuko, Merey, Mofu-Gudur, Moloko, Ngizim, Daba, Tera, Vame, Wandala and Wuzlam. It's m...

It's not described as such, but that's a possibility, yes - after all, what would even be the distinction between harmony and a phonotactic constraint in the case of roots? Again, the data provided in the paper doesn't really give us enough to go on there. The original source might have more insight...

@Nel Fie: I am still not sure if I understand the relation between the concrete data and the high-level abstract generalizations. But I can't think of many concrete questions. Going back to my answer to the original question: Does /a/ alternate in these languages or is it neutral? @Sal: I think, yo...

Can it do -@? So only apply if feature values don't match? It couldn't yesterday, now it can. Thank you very much for suggesting the idea! I hadn't thought of it yet, but it's a good feature to have and was not overly complicated to implement. As a result, one can now provide a pattern such as C[@1...

It took a bit of work, and maybe more testing and debugging down the road, but ostensibly my sound changer can now handle feature matching. Which is to say, aught one would typically notate as a feature preceded by an alpha, e.g. C [α place] . Due to wanting a simpler formatting, it is notated with ...